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Thomas Parker's avatar

I think you see what you're talking about in movies, specifically in musicals. When the genre - and the studio system that made it viable - died (Killed off by Hello Dolly and the like) no more people came up through the system learning how to do those kinds of movies. No more Alan Freeds, no more Busby Berkleys, no more Stanley Donens or Vincente Minellis, no more Fred Astaires or Cyd Charisses or Gene Kellys. So now, when a musical is occasionally made, (La La Land), something is missing. It's thin somehow, lacking all that "thick" experience that was built up over decades. And it can't be recovered or learned on the fly - there's no longer anyone alive qualified to teach it.

And don't even get me going about what CGI has done to stunt driving!

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Patrick Watson's avatar

I teach machine learning so I'm acutely aware of the skills gap you point to here. Yet I tend to think of it as a *revealed* skills gap rather than a *developing* skills gap.

Before G.AI, creative writing and visual art were go-to examples of something robots didn't have the proper souls to excel at. Before symbolic AI, chess and mathematics understood as uniquely dependent on human insight. In both cases, this turned out to be wildly inaccurate.

To me, this seems like pretty strong evidence that we have remarkably poor insight into what our "uniquely human" capabilities actually are. Thus, we should be considerably more cautious with AI prognostications. It might even be wise to bet *against* any scenario someone can describe, since the reality has consistently violated our stereotypes.

There are might be some narrow insights available about AI's trajectory (e.g., I suspect sophisticated, flexible motor movements are going to be tricky because there's no analogue to smart phones for collecting large samples of mechanosensory data). But hey, you should probably bet against me! The larger socioeconomic impacts are so intrinsically unpredictable it's best to treat any forecast as mostly bull.

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